First up, the acknowledged masterpiece of Ron Thom's 1973 Festival Theater. According to the website Ron Thom House for Sale - "Thom liked to set his buildings so that people could come across a house in the trees – from above or below – but not be able to see all of it. A low-hipped cedar shake roof floats over the cedar and cement block base. Glass meets glass and corner windows vanish into thin air. The house reflects Ron Thom’s admiration for the designs of both Frank Lloyd Wright, and Richard Neutra."
Although Thom's idiom is nominally west coast (think Arthur Erickson) his execution at Shaw has more in common with Soviet Block Eastmodern.
Hiding in shame
Look ma, no windows
The only inviting vista - entering via the rear
Look ma, no windows
Well guess what. Thom didn't design some west coast cedar gem nestled into a hillside. Thom plunked down a late modern brick pile, all planes and geometry and completely absent glass meets glass. With absolutely nothing of human scale to the place, Thom's Festival Theater shows an insular cultural insensitivity that's remarkable for a town that has only one business- staging early modern plays!
Welcome humans - sorry there's no windows. Or door.The only inviting vista - entering via the rear
At almost the other end of Queen Street is another inexplicable intersecting planes piece of Trudeau-era optimism - the Canada Post outlet. It's not merely insensitive to the 200 year old buildings that surround it. It reminds us that the Feds do what they want, where they want. No municipal ordinance holds sway for them. This charming institution even has a name - Property Number:61768. And its own website.
No shame
Speaking of own website, here's the Campbell Scott house. Campbell was an early cultural influence on me – he taught me woodworking (along with a generation of students at St Catharines Collegiate Institute and Vocational School). It's sad to know he has recently passed away (February, 2016).
I've saved the best for last. Some clever Johnny or Joan managed to sit at a drafting table and foist a Brutal School Bandshell on the governors of Simcoe Park. This foreboding silhouette "illustrates typical Brutalist characteristics such as top-heavy massing and the appearance of a bunker-like structure."
To me it's too funny. Usually a brutalist building is concrete gravured with the texture of the wood forms in which it was cast. Here, they just nailed together the wood form. Way to cut out the middleman.
A flying apron?!
Up next - Post Modernism in Colonial Williamsburg.
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